By Helmar Schramm, Ludger Schwarte, Jan Lazardzig
This quantity launches a brand new, eight-volume sequence entitled Theatrum Scientiarum at the heritage of technological know-how and the media which has arisen from the paintings of the Berlin unique examine venture on "Performative Cultures" lower than the aegis of the Theatre reports division of the loose collage. the amount examines the function of house within the structure of data within the early smooth age. "Kunstkammern" (art and curiosities cabinets), laboratories and phases arose within the seventeenth century as tools of study and illustration. there's, even though, nonetheless an absence of exact descriptions of the epistemic contribution made through fabric and immaterial house within the functionality of data. as a result, the authors current a unique view of the stipulations surrounding the production of those spatial types. Account is taken either one of the institutional framework of those areas and their placement in the background of rules, the architectural types and the modular differentiations, and the clinical effects of specific layout judgements. Manifold paths are among the site of the observer within the representational area of technological know-how and the association in time and house of sight, speech and motion within the canon of eu theatrical kinds. not just is an account given of the mutual architectural and highbrow impression of the areas of information and the functionality areas of paintings; also they are analyzed to examine what was once attainable in them and during them. This quantity is the English translation of Kunstkammer, Laboratorium, Bühne (de Gruyter, Berlin, 2003).
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Extra resources for Collection, Laboratory, Theater: Scenes of Knowledge in the 17th Century (Theatrum Scientiarum: English Edition)
Wonders and the Order of Nature. 1150-1750. New York: Zone Books, 1998. Döpler, Jacob. Theatrum poenarum, suppliciorum et executiorum criminalium. Oder Schau=Platz derer Leibes= und Lebens=Straffen. Vol. “ Vol. “ Sondershausen, 1693-97. Furttenbach, Joseph. Mannhaffter Kunst-Spiegel. Augspurg, 1663. Galison, Peter.
My second point is that it is increasingly recognised by water engineers that, as I said, the project never quite succeeds. A new style of civil engineering is now emerging, which, as it were, is predicated on recognising the agency of rivers and streams. This is science in its infancy … It’s a mixture of science and trial-and-error … We’re good in ways we can command and control a stream. 12 Here the metaphor might be symmetric collaboration rather than war: waterways will meander, how can we live and pursue and develop our human goals in the presence of that?
Mannhaffter Kunst-Spiegel. Augspurg, 1663. 101. ” Furttenbach, Mannhaffter Kunst-Spiegel. 198. ” TE, V (1647,1707), Introduction [n. ]. ” TE, II (1633,1646), Introduction [n. ]. 22 Helmar Schramm Fig. 5: Combination of system space and experiential space: ambivalent interplay between ground plan and scenic image. Here: Abbildung des Königlichen Schwedischen Feldlagers bey Werben an der Elbe 1631. Theatrum Europaeum (Vol. 2, Franckfurt am Mayn, 1637). Within the interior of the 21 volumes a spatial dimension is built via two fundamentally different, but nevertheless completely interrelated map systems, namely through large-format copper plates of maps, cities, fortresses and architectural structures on the one hand and location and space-related Contrafacturen of high and noble people on the other hand.