Architecture and Nihilism: On the Philosophy of Modern by Mr. Massimo Cacciari, Mr. Stephen Sartarelli

By Mr. Massimo Cacciari, Mr. Stephen Sartarelli

Massimo Cacciari, some of the most influential social philosophers in Italy at the present time, is the founding father of the fad of feedback often called "negative idea" that specializes in the failure of conventional common sense to explicate the issues of modernity. This ebook, which introduces his writings to an English-speaking viewers, presents a extraordinary social and philosophical account of the twentieth-century city. Patrizia Lombardo's broad advent situates Cacciari's suggestion in the milieu of Italian political activism and philosophy among the Sixties and the Eighties, from his collaboration at the leftist magazine Contropiano to his lengthy organization with Manfredo Tafuri. Cacciari experiences the relation among philosophy and smooth structure and applies the taking into consideration avant-garde architects, artists, and writers to the social and political difficulties raised through technological society. He starts off through defining the fashionable city, utilizing the phrases and concepts of Georg Simmel and Max Weber, yet revealing the place their frameworks are restricted. He then examines the paintings of Adolf bathrooms and different architects and architects in early twentieth-century Vienna, exhibiting how their structure and feedback disclose the alienation and utopianism in notions of the natural urban. Cacciari demonstrates how structure intersects with town and the kingdom but in addition with the internal of the personal residing and with its resistance to the exterior international. Bringing jointly philosophy, sociology, urbanism, hard work heritage, economics, and aesthetics, he is helping us understand through those disciplines an important interval within the historical past of modernity.

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79. , p. 87; Howard, To-morrow: A Peaceful Path to Real Reform, p. 14. 78 Taut, “The City Crown,” p. 87. , p. 83. 80 Ibid. 81 Gustav Landauer, Aufruf zum Sozialismus: ein Vortrag (Berlin: Verlag des Sozialistischen Bundes, 1911). Gustav Landauer, For Socialism, David J. ); introduction by Russell Berman and Tim Luke (St Louis: Telos Press Ltd, 1978). All references will be made to this English edition. 82 Landauer, For Socialism, pp. 42–4. 83 Taut, “The City Crown,” p. 81. , p. 75. 85 Gustav Theodor Fechner, Die Tagesansicht gegenüber der Nachtansicht (Leipzig: Verlag Breitkopf und Härtel, 1879), p.

Bletter, “The Interpretation of the Glass Dream-Expressionist Architecture and the History of the Crystal Metaphor,” Journal of the Society of Architectural Historians, 40(1) (1981): 20–43; Gutschow, “From Object to Installation in Bruno Taut’s Exhibit Pavilions,” p. 66; Taut, “The City Crown,” p. 88. 49 Paul Scheerbart, “Rakkox der Billionär; Münchhausen und Clarissa,” in Paul Scheerbart, Dichterische Hauptwerke (Stuttgart: Goverts, 1962), pp. 227–47. 50 Leo Ikelaar, Paul Scheerbarts Briefe von 1913–1914 an Gottfried Heinersdorf, Bruno Taut und Herwarth Walden (Paderborn: Igel Verlag, 1996), p.

Das Problem des Opernhaus,” Sozialistische Monatshefte, 20(6) (March 23, 1914): pp. 355–7. ——. “Reiseeindrücke aus Konstantinopel,” Kunstgewerbeblatt, 28(3) (1916/1917): 49–50. ——. “Ein Architektur-Programm,” 1st edn December 1918; 2nd edn Berlin: Arbeitsrat für Kunst, 1919. This English translation from Ulrich Conrads (ed. ), Programs and Manifestoes on 20th Century Architecture (Cambridge, MA: MIT Press, 1975), p. 41. ——. “Bildschreine,” Das hohe Ufer, 1 (1919): p. 305. ——. Die Stadtkrone: Mit Beiträgen von Paul Scheerbart, Erich Baron, Adolf Behne (Jena 1919; Facsimile with an Afterword by Manfred Speidel, Berlin: Gebrüder Mann Verlag, 2002).

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